I’m a traditional miniature painter from Bikaner, Rajasthan, India. I learned miniature painting within my family tradition and have spent decades working with techniques associated with the Bikaner School of miniature painting.
Our process includes preparing handmade Wasli paper, working with traditional pigments and gold, making and using extremely fine brushes, and painting details that can require considerable patience and control.
One of the most demanding parts of our practice is a fine-line technique we call Partaj, often executed with a single-hair brush.
The brush itself is only a tool — learning how to control that single hair is the real practice. Partaj changes according to the subject: flowers require softer lines, human figures require a different balance, while animal hair and other textures may need stronger and sharper lines.
In our family tradition, we say Partaj takes “ta-umar” — a lifetime — to learn.
Some parts of traditional miniature painting can take considerable preparation even before the actual painting begins, including preparing the paper, colours and brushes.
I’d be happy to answer questions about Bikaner miniature painting, Partaj, single-hair brushes, handmade Wasli, traditional pigments, gold work, brush-making, apprenticeship, or how these techniques are passed from one generation to another.
Proof: https://postimg.cc/bsLdwTkn
Ask me anything.
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